![]() ![]() (a) The music we hear is not from the soundtrack of The Night of the Living Dead. I have reached this tentative conclusion for three reasons: However, I think it is more likely that the Grateful Dead accompanied the film with a live improvisation. This music accompanied a film some attendees remember this as a clip from "The Night of the Living Dead," while reporter Tom Zito wrote afterwards of seeing "spacemen wrapped in plastic bags emerge from graves." It has generally been assumed that the music was the film's audio track. (2) The provenance of the "Night of the Living Dead" introduction to the electric set is uncertain. Many attendees have pointed out the error, and one of the tapers of the previous night's show, Marty Weinberg, even announces helpfully, "It's Saturday night, July 11, 1970." (This announcement can be heard on shnid 108156, just before Easy Wind.) Both were "midnight shows," so technically this show was performed in the early morning of Monday, July 13, but it is the concert billed as "July 12." (1) The dates for this show (July 12) and the one preceding it (July 11) were incorrectly reversed in most previous sources. For details on which source is used when, see the notes below. Happily, these two recordings complement each other more often than not. ![]() Cooper's recording is generally clearer, especially during loud passages, but it is less complete and has more microphone noise and audience chatter. 9379 is more complete and has less audience chatter during quiet passages, but it has more distortion during loud passages. ![]() Recorded by Jim Cooper using a Hitachi TRQ-222 Cassette recorder and 2 Hitachi microphones from Row H, about the 30th row, center.Įach source has advantages and disadvantages. Source 2 (shnid 122707): Jim Cooper's Hitachi TRQ-222 Cassette recording > CDR > WAV > FLAC Since no soundboard circulates for this show, we are very fortunate indeed to have these two recordings. He is really feeling his oats.This is a combination of the two audience recordings available for this date: shnid 9379 (identity of taper not given) and shnid 122707 (taped by Jim Cooper). Which is kinda funny because my family name loosely translated means NUT CRACKER!ĭid you ever wonder why God has been so gracious?ĭoes God look down on the boys in the bar room? Or as my Dad would say "I had a thick skull" Guess I kept those angels working over time. I almost got shot with a pistol down by those benches many years later in a case of mistaken identity and motives. As much as I groove on the Lovelight -the big surprise here is the fierceness of the Spanish Jam. I kept thinking the guys had brought down an extra boom box and were playing two separate tapes. To my virgin ears this 2/11/70 was like having two bands (maybe 3 bands with P Green) and their very distinctive sounds merge into one band. This one is really tight, there is another one out there which features a lot of Duane and Jerry not sure which show that was but it was even more intense. So, I do remember asking a few times 'What are we listening to?" and one of the times I asked, it was this recording. Wow, talk about a buzzkill.Īnyway, wasn't even close to being a Deadhead, I thought those days would go on forever but i guess there were complaints about loud music and weird smells so they locked up the park and put really bright lighting over the benches. There was always a pretty big boom box and I heard some great stuff from Allman Brothers ,Frank Zappa to Cream and before i even knew who they were the music of the Grateful Dead.įor the most part I hung at the far end of the bench and just listened to the crazy stories every once in awhile after the beer was flowing somebody would pass me a doobie and i would catch a hit and return it back towards So I was not in the generation of the Pigpen era nor the Keith and Donna era but those fella's hung out down on the Park Bench by the Basketball Court and the Concrete Shuffleboard benches.
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